The Masked Marauders More or Less Hudsons Bay Again
| The Masked Marauders | |
|---|---|
 | |
| Studio anthology past The Masked Marauders | |
| Released | November 1969 |
| Recorded | October 1969 |
| Genre | Rock |
| Length | 33:39 |
| Label | Reprise/Deity (Original) Rhinoceros (Re-release) |
| Producer | Deity Records |
| Singles from The Masked Marauders | |
| |
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [1] |
The Masked Marauders is a record album released on the Warner Bros Reprise/Deity label in the fall of 1969 that was office of an elaborate hoax concocted past Rolling Stone magazine.[2] [3] [4]
In its October eighteen, 1969 event, Rolling Stone ran a tongue-in-cheek review of a not-existent album that purportedly captured a "super session" of the era'south leading rock and curl musicians, including Bob Dylan, Mick Jagger, George Harrison, John Lennon, and Paul McCartney. The review claimed that none of the artists could be listed on the jacket cover because of contractual agreements with their recording companies. The editors involved decided to extend the joke past hiring a relatively obscure band to tape an actual anthology and and then secured a bargain with Warner Bros.[3] As an indication of how many people were taken in past the joke, The Masked Marauders reached No. 114 on Billboard'south album nautical chart.
Rolling Stone spoof [edit]
The Masked Marauders began equally a spoof dreamed upwards by Rolling Stone editor Greil Marcus. Under the pseudonym T.M. Christian (a reference to Terry Southern's novel The Magic Christian), Marcus wrote a satiric review of a fictitious double bootleg album in collaboration with tape reviewer Bruce Miroff.[5] The review was intended to parody the "supergroup" trend so taking place (Crosby, Stills, Nash & Young, Blind Organized religion) and was also inspired by Great White Wonder, a double album of unreleased Dylan recordings often credited as the get-go bootleg.[four]
Many readers, even so, took the review seriously, despite its obvious jokes:
- "Produced by Al Kooper, the album was recorded with impeccable secrecy in a small town near the site of the original Hudson Bay Colony in Canada."
- "The LP opens with an eighteen-infinitesimal version of 'Season of the Witch' (pb song by Dylan, on which he does a superb false of early Donovan). The cutting is highlighted by an astonishing jam between bass and piano, both played by Paul McCartney."
- "Dylan shines on Side 3, displaying his new deep bass voice, with 'Knuckles of Earl'."
- "Paul showcases his favorite vocal, 'Mammy', and while his operation is virtually indistinguishable from Eddie Fisher'south version, it is still very powerful, evocative, and indeed, stunning. And they say a white boy tin can't sing the blues!"
- "It can truly be said that this album is more than a way of life; it is life."[6]
Recording sessions and contract [edit]
Enquiries began pouring into Rolling Stone regarding the album'due south availability, not just from fans and retailers, but reportedly from the artists' managers, Allen Klein (Beatles and Rolling Stones) and Albert Grossman (Dylan).[seven] The response sparked part two of the put-on: the album itself. Marcus and Rolling Stone editor Langdon Winner recruited the Cleanliness and Godliness Skiffle Band, a Berkeley, California, grouping which had an anthology the previous twelvemonth on Vanguard Records and played ofttimes at San Francisco's Fillmore and Avalon ballrooms.[8] The group initially recorded three of the songs cited in the review: the Nashville Skyline-inspired instrumental "Cow Pie", Jagger doing "I Tin't Get No Nookie" (deemed "an instant classic"), and Dylan's "Duke of Earl".[9]
Afterwards the songs aired on San Francisco and Los Angeles radio stations – from tapes Marcus supplied – the pranksters began looking for a major label to produce an album. Several recording companies expressed an interest, but Warner Bros. won the production rights, offer a $15,000 accelerate plus its considerable promotional ability.[9] In November 1969, Warner released The Masked Marauders equally a unmarried LP on its newly created Deity characterization. The album, which sold more than 100,000 copies, spent 12 weeks on the Billboard album nautical chart, peaking at No. 114. The single "Cow Pie" appeared on the Bubbling Under the Hot 100 chart at No. 123 for ane week on Nov 29, 1969.
Original and follow-upwardly releases [edit]
Tipping off buyers to the joke (albeit afterwards they had purchased the album), Warner inserted the Rolling Stone review likewise as a San Francisco Chronicle column by critic Ralph J. Gleason, a co-founder of Rolling Stone. Gleason found information technology incredible anyone believed the review and declared the gag a "delightful bit of instant mythology."[7] The closing track, "Saturday Night at the Moo-cow Palace," also fabricated clear the album was all in fun. The track featured a riotous monologue by a record heir-apparent so indignant at being taken in by the hoax that he vows, "When I get through with those people at Deity Records, I'll have them walking out of the edifice in barrels." The album'southward liner notes, penned by "T.M. Christian," as well offered its share of clues, near notably the line:
"In a globe of sham, the Masked Marauders, bless their hearts, are the genuine article."[x]
In 2001, Rhinoceros Records, under its Handmade label, remastered the anthology, releasing a numbered edition of two,000 copies entitled The Masked Marauders - The Consummate Deity Recordings. The lineup of songs is the same equally on the original LP, except for bonus tracks of the monaural single, "I Can't Become No Nookie" b/west "Moo-cow Pie". The championship of the re-issue posed withal another joke: the anthology was Deity'south only recording. Every bit one of its contributions to the spoof, Warner created Deity under its Reprise subsidiary to match the name of the not-existent record company credited in the Rolling Stone review.[9]
Media coverage [edit]
The story of The Masked Marauders hoax was featured in an Apr v, 2013, segment of the Idiot box programme Rock Center with Brian Williams.[11] [12]
Runway listing [edit]
Side 1 [edit]
- "I Can't Go No Nookie" (The Masked Marauders) – 5:29
- Features vocals by a Mick Jagger impersonator. This track is sometimes mislabeled as an outtake from the Rolling Stones' Jamming with Edward! sessions.[ citation needed ]
- "Duke of Earl" (E. Dixon, E. Edwards, B. Williams) – three:21
- Also briefly incorporates "Blue Moon" (Rodgers, Hart).
- Features vocals past a Bob Dylan impersonator.
- "Cow Pie" (The Masked Marauders) – two:eighteen
- Instrumental, only features extremely cursory spoken vocals by a Bob Dylan impersonator.
- "I Am The Japanese Sandman (Rang Tang Ding Dong)" (A. Williams) – 3:45
- "The Volume Of Dearest" (West. Davis, C. Patrick, Grand. Malone) – 2:21
- Also briefly incorporates "Norwegian Wood" (J. Lennon, P. McCartney).
- The group's John Lennon impersonator is heard speaking briefly at the stop of this rails.
Side two [edit]
- "Later on" (Westward. Davis, C. Patrick, G. Malone) – ane:11
- A continuation of "The Volume Of Dearest".
- "More than or Less Hudson'south Bay Once again" (The Masked Marauders) – 3:31
- Features vocals by a Bob Dylan impersonator.
- "Season of the Witch" (Donovan Leitch) – 10:thirteen
- Features vocals past the Mick Jagger and Bob Dylan impersonators.
- "Sat Night at the Cow Palace" (The Masked Marauders) – i:30
- A spoken monologue atop a piano rendition of "Cow Pie," with a disgruntled vocalization profanely denouncing the anthology equally a rip-off.
CD bonus tracks [edit]
- "I Tin't Get No Nookie" (The Masked Marauders) – five:02 (Monaural)
- "Cow Pie" (The Masked Marauders) – ii:18 (Monaural)
Musicians [edit]
Equally listed on the Rhinoceros Handmade CD release:[9]
- Langdon Winner: Piano and Backing Vocals
- Annie "Dynamite" Johnson: Vocals and Percussion
- Phil Marsh: Vocals and Guitar
- Brian Voorheis: Vocals, Guitar and Harmonica
- Vic Smith: Bass
- Anna Rizzo: Drums
- Marking "The Flim-flam" Voorheis: Drums and Vocals on "Saturday Night at the Cow Palace"
- Gary Salzman: Lap Steel
- Luke Wienecke: Organ
- Allen Gamble: Vocals on "More or Less Hudson's Bay Again"
References [edit]
- ^ The Masked Marauders at AllMusic
- ^ Noth, Pierre Rene (December 24, 1969). "Hoax Masked past Rock Record". The Milwaukee Periodical.
- ^ a b "Were you a believer in The Masked Marauders?". NBC News. April 5, 2013.
- ^ a b Christgau, Robert (1970-01-08). "Anthology of the Year". Retrieved 2008-04-fifteen .
- ^ Marcus, Greil (2002-03-12). "Online Exchange with Greil Marcus". Rock Critics Archives. Retrieved 2008-04-15 .
- ^ T.M. Christian (Greil Marcus), "The Masked Marauders," The Rolling Stone Record Review, compiled by the editors of Rolling Stone (New York: Pocket Books, 1971), p. 392.
- ^ a b Gleason, Ralph J. (October 18, 1969). "On the Boondocks". San Francisco Relate . Retrieved 2008-04-xv . .
- ^ Dodsworth, Fred (2003-06-06). "At 35, the Freight Finds Its Hereafter in Tradition". The Berkeley Daily Planet . Retrieved 2008-04-15 .
- ^ a b c d The Masked Marauders - The Complete Deity Recordings, Rhino Records
- ^ T.G. Christian (Greil Marcus), "Masked Marauder" liner notes, Rhino Records, Claremont, California, 1969.
- ^ "Scoop: Rock Center with Brian Williams on NBC - Today, April five, 2013". Broadway World. Apr 5, 2013.
- ^ Shattuck, Kathryn (April 5, 2013). "What'south On Friday". The New York Times.
External links [edit]
- Snopes article
- San Francisco Relate article
- [i] YouTube prune for I Can't Go No Nookie
- Cleanliness and Godliness Skiffle Band Family Tree
Source: https://en.wikipedia.org/wiki/The_Masked_Marauders
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